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| | Customer Reviews: | | | Average Customer Review: ( 329 customer reviews )
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Most Helpful Customer Reviews
147 of 163 found the following review helpful:
 A Fantasy with a Strong Cast of Humans and Animated Animals! May 03, 2008
By Grady Harp
Not being one who seeks out the seemingly endless line of Harry Potter/Narnia/Lord of the Rings tropes (a little computer generated monster realm goes a long way), THE GOLDEN COMPASS came somewhat as a pleasant surprise. Yes, this is still a fantasy film, but the emphasis is more on stylish creation of various animals (in the forms of 'daemons' that accompany children as their souls, morphing into various animal life at will) than tiresome explosions and flying beasties.
Lyra (Dakota Blue Richards) is clearly the star of this adventure that explores the possibility of other, parallel worlds whose interaction with the world as we know it is controlled by various groups of good guys and bad guys, all seeking the source of secrecy contained in a Golden Compass that can only be read by a single girl - Lyra, a poor child living in the presence of scholars. Lyra's uncle, Lord Asriel (Daniel Craig) places the Golden Compass in Lyra's knowing hands and heads off to the far North to investigate the element that binds all life together - Dust. The tale is set in motion by the enigmatic Mrs. Coulter (Nicole Kidman) who gains Lyra's confidence and offers to take her to the great North. All manner of adventures occur on the journey - friends of Lyra's are threatened to be separated from their various daemons in the cruel hands of the bad guys, Lyra's encounter with a witch Serafina Pekkala (Eva Green), her assistance from a friendly astronaut (Sam Elliott) and an armored bear - and with all fantasies, good prevails - or does it? Tune in for the very obvious next installment.
The pleasures are many, not the least of which are the voices and changing forms of the little animal daemons. The cast is excellent and the whole movie sails with yet another beautiful musical score by Alexandre Desplat. It is a nice diversion, but you have to love fantasy. Grady Harp, May 08
14 of 15 found the following review helpful:
An excellent adaptation of a very complex book Jul 08, 2008
By Damion F. Chaplin
"imperium999"
The Golden Compass is a very ambitious film based on a very ambitious book. If you haven't read the book, and you liked this movie, you must go read the book. That said, this film really did seem rushed and a lot of the appealing aspects of the book are left out. However, most of what they changed made sense to me (like switching the order of events at Svalbard and Bolvangar) and made the flow of the movie work better.
My main problem with this movie is the same one I had with David Lynch's Dune: You really wouldn't know what's going on unless you've read the book. I saw the movie before I read the book, but my wife, who was watching it with me, had just finished the trilogy and she was able to explain a lot of what I was seeing - much like when I watch Dune with someone who hasn't read the book.
So in the end, The Golden Compass suffers from being too complex and fast-paced in order to do justice to the book it's based on. Yes, I liked the movie a lot (enough to buy it for my library), and it inspired me to read the fantastic novels, but those who haven't read the book may be confused by what they're seeing.
I wholeheartedly recommend this movie, but I really recommend reading the book first to get everything out of it.
166 of 220 found the following review helpful:
 The Fight for Free Will Dec 07, 2007
By Chris Pandolfi
The special effects and the cinematography of "The Golden Compass" are wonderful, but it's the subtext that really shines through, making for one of the most unique, fascinating, and entertaining fantasy films of recent memory. Just as it is in the film, the plot of Philip Pullman's original novel suggested that free will was kept under strict control. The film brings this idea to the surface and allows the audience to analyze it; in a parallel universe--in which a person's soul is separate and physically represented by an animal--a ruthless organization called the Magisterium tries to enforce rules against free will. Anyone who challenges its authority will be condemned as a heretic. Because they wanted to ensure total compliance, the Magisterium sought to destroy every last alethiometer, or golden compass--a magical, watch-like mechanism that literally tells the truth by pointing at strange symbols.
The one alethiometer that survived is now in the possession of Lord Asriel (Daniel Craig), a college professor who defies the Magisterium by confirming the existence of dust. I'm not referring to the allergy-inducing particles that settle on ordinary surfaces; I'm referring to the magical substance that's somehow related to a rift between their universe and ours. Because this has put him at odds with the Magisterium, he gives the alethiometer to his orphaned niece, Lyra (Dakota Blue Richards), a young girl raised by the professors at a university. Lyra, who absolutely hates being called a lady, is clever, bold, and incredibly headstrong, with an adventurous spirit that occasionally gets her into trouble. Her spirit--or daemon, as referred to by the characters--is Pan (voiced by Freddie Highmore), who hasn't quite decided which animal form to take. He spends most of his time as a ferret, but he also turns into a cat, a bird, and a mouse.
When Lyra hears that her uncle is traveling to the snowy north to find the dust and open this cross-dimensional rift, she wishes to join him. Asriel refuses to let her, and he warns her against speaking of dust to anyone. Here enters Mrs. Coulter (Nicole Kidman), the wicked, controlling head of the Magisterium; she quickly learns that the alethiometer is in Lyra's possession and vows to reclaim it by tricking Lyra onto her good side. Mrs. Coulter's true nature is soon revealed, and upon escaping, Lyra is put under the protection of the Gyptians, a band of rebels who were once aided by Lord Asriel. As they journey north with Lyra, she also meets: Serafina (Eva Green), an elegant, almost ethereal witch; Lee Scoresby (Sam Elliott), a grizzled pilot who speaks like a Texan from the Old West; and Iorek Byrnison (voiced by Ian McKellen), a disgraced polar bear who was once a great warrior among an entire clan of polar bears. To rid himself of his shame, he decides to reclaim his stolen armor and protect Lyra at whatever cost.
This is pretty much the foundation for the adventure that follows, an adventure so big that it isn't over even when the movie ends. But in the grand scheme of things, the adventure is fairly superficial and only part of what makes it so wonderful; "The Golden Compass" is just as thought provoking as it is enjoyable, filled to the brim with intelligent, meaningful undertones. This isn't to say that the film exists entirely as one big commentary--a good portion of it functions at a level of pure entertainment, from the convincing special effects to the stunning set designs to the fantastic mechanical creations. The story is not one of the future, the past, or even the present; its unique setting has essentially made any sense of time meaningless. And let's not forget a number of lighthearted moments between Lyra and her best friend, Roger (Ben Walker), both of whom are more like bonded siblings.
But there is a dark side to this story. For one thing, the Magisterium is involved in a sinister plot to kidnap children and sever the connections between them and their daemons. The sooner they lose their spirits (pun definitely intended), the quicker they can be controlled. There's also a general sense of foreboding that runs through the entire film, as if to say that certain things are not as simple as they may first appear. Consider the fact that a person's physical pain is also felt by his or her daemon, and vice versa: What exactly will happen if one of them dies? Can one exist without the other? And how exactly are daemons a threat to free will?
The fact that I'm asking these questions is a good thing, because it proves that "The Golden Compass" is a stimulating film. Rarely is a fantasy story allowed to transcend the limiting clichés of princesses, castles, dragons, swords, and predictable Hero's Journeys. Here's a film that actually brings something new to the genre, something fresh, exciting, daring, and determined. This is not a mind-numbing rehash; it's a thoroughly original experience, highlighted by delightful performances, a solid structure, and a well-rounded social commentary. I suppose I should make a note about the Catholic Church's poor reception of this film, but why bother? Religion--or lack thereof--has nothing to do with it. It has everything to do with being engaging, smart, and imaginative.
5 of 5 found the following review helpful:
Good But Feels A Little Uneven Nov 19, 2009
By D. Reed
"The Movie Critic"
Before I start this review, I would like to comment on the "religious" factors of this film. I am a Catholic and loved this! There was nothing atheist about it. The way I viewed the Magisterium was a Communist government. Even if it was a jab at the church, it was probably referencing back to old times when the people of the church did want to control everything (Uber-Christians should really learn their history). And, judging by how some people reacted to these "atheist" tones, they must be working for the Magisterium, trying to say what's best for others when they should just mind their own business and let people decide for themselves.
Now to the movie. Dakota Blue Richards is a very good actress and one of the very few child actors who aren't annoying. She seems undaunted for her first film and I really hope they film the next two installments as I would like to see her improve and hone her talent. Daniel Craig, Eva Green (reuniting from Casino Royale but have no scenes together), Sam Elliot and Nicole Kidman (can't believe I'm saying something good about her) are all excellent in their supporting roles. Though I will admit that Craig floats in and out of the picture like that Prudence character from Across the Universe (though not as much as her, at least Craig's character is important to the plot) and Kidman's revelation that she is Richards' mother seems a little out of left field though Mrs. Coulter could be lying. Christopher Lee has very good billing in the end credits for having one line of dialog in a very small scene. I wish the explanation of dust had gone into a little more detail instead of the Magesterium just talking about it like its a drug or whatever. Action scenes are spectacular, especially the final battle in the north. Music is also very good and, if they ever film the next two, I certainly hope they use the same composer. A fine film that I hope to be the next successful book-to-film translation like Lord of the Rings/Harry Potter/James Bond.
17 of 22 found the following review helpful:
"Lady, Lightning Bolt, Baby ~ Nothing But Us And The Child" May 12, 2008
By Brian E. Erland
"Rainbow Sphinx"
Not knowing anything about `The Golden Compass' nor the book `Northern Lights' by Philip Pullman upon which this film is based, I must say I was not only pleasantly surprised, but amazed by what I saw and heard on my initial viewing. The visuals are astounding and the storyline is original, highly controversial (at least in the mind of some religious groups) and abnormally complex.
Maybe even more amazing to me than how good this film is, was the high volume of criticism and low ratings it has compiled from Amazon reviewers. I can discern only three possible reasons for this unlikely occurrence;
1- It's to be expected if the film diverges from the book, something purist cannot tolerant. (Again, not having read the book in question I cannot comment on its faithfulness to the source material).
2- It might be a case of not appreciating the complexity of the story. You can't just jump into this film and immediately know what's going on. You have to exert a little effort and brain power to work your way into this alternate universe before settling down for the ride.
3- However I'm certain that the biggest body of complaints come from Christian factions that don't like their belief system challenged in any form. The portrayal of an evil ruling body known as the Magisterium may hit a little too close to home for some Catholics and those within the Protestant camp will most certainly be bothered by seeing every human accompanied by what appears to be an animal familiar referred to as a daemon* (no it's not a demon, think of the Hellenistic concept of the daemonic).
*These animals are part of the individual. In this imaginary world the soul is separated from the body and exists as a companion creature that accompanies the individual throughout life.
If that wasn't enough to cause some of the faithful to begin beating their war drums and rattling their sabres it doesn't help to see a heroine who's furry companion is named Pan (short for Pantalaimon), an alluring Queen of the Witches with the angelic sounding name Serafina (i.e.: Seraphim) who fights with the "good guys", and the heroine's courageous Uncle, Lord Asriel who's name is all too similar to that of the fallen angel Azriel, long associated with the Devil.
These religious/mythological cross-references don't stop here. I noticed a couple borrowed from Norse mythology as well. There's Lorek Byrnison ( possibly referring to Loki, the trickster God) and the immense warrior, polar bear Ragnar Sturlusson could be a subtle reference to Ragnarok, the Nordic version of the Apocalypse.
Of course there's always the possibility that someone simply doesn't like the film for reasons I've yet to comprehend, but I can't imagine how anyone wouldn't enjoy such an imaginative, allegorical, fantasy adventure. In case you haven't figured it out by now, I loved it!
See all 329 customer reviews on Amazon.com
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![The Golden Compass [Blu-ray]](http://ecx.images-amazon.com/images/I/61t0hkA32sL._SL250_.jpg "The Golden Compass [Blu-ray]")
